Welcome to Molarity Redux, the 67th strip in the updated, continuing adventures of Jim Mole and friends.
The list of movies, TV shows, plays and other media forms engendered by Charles Dickens’ 1843 novella A Christmas Carol seems endless. For most of us, those films and TV shows are how we know the story.
A nap versus nativity scenes from around the world? To me, the choice was obvious.
Even at semester’s end, after three months swimming in these rivers, I make my way — always against the current, up the down staircase, entering as others exit — feeling like a foreigner unschooled in the ways of flocks and herds.
A Molarity wake up call.
It was this now-fond memory that brought me to the library yesterday as they hosted their “Farewell to the Floor” event, a way to kick off the first phase of the Hesburgh Library Renovation. The makeover is scheduled to start Monday, December 22, and will begin with a new north entrance and then a two-story entrance gallery that will run through the center of the library.
When I first arrived in rural Honduras in 2002, communication with the outside world was severely limited, and I relished the solitude. Ten years later, I’m suffocated by the ubiquity of electronic communication.
Written by Rolling Stone political reporter Matt Taibbi, The Divide: American Injustice in the Age of the Wealth Gap provides dozens of similar stories of prosecutors going after poor people for minor crimes at the same time it lets the wealthy off with at most a company fine for gargantuan fraud.
I knew that Richard Sheehan, an economics professor, had found his passion in wildlife photography. What surprised me was his saying he approached the task by emulating the seagull.
Welcome to Molarity Redux, the 66th strip in the updated, continuing adventures of Jim Mole and friends. In this edition, Lou learns the importance of consent.